https://twitter.com/stephentotilo/st...00665636450494
Strano che cosė tanti sviluppatori vogliano partecipare al panel tenuto da questi incapaci per questo gioco di mierda
Un po' di roba dalla presentazione
https://twitter.com/BigPlayJohn/stat...05304331215012
https://twitter.com/BigPlayJohn/stat...07347477360895
https://twitter.com/BigPlayJohn/stat...08597082149360
https://twitter.com/gamedevdotcom/st...12119257092099
https://twitter.com/stephentotilo/st...27855660953745
https://www.ign.com/articles/nintend...-it-was-solved
Quote:
The sound design in Tears of the Kingdom is also incredibly complex. Osada explained that the world contains voxel information to create a 3D terrain. Voxels are data points on a 3D grid that store information. In Zelda, each voxel sources information about the terrain, like if it's inside or outside, near water, near a forest, if Ascend is possible, and more. A search algorithm determines how sound interacts with the voxels, like sound changing when an object is behind a wall.
Just like the design philosophy for the rest of the game, sounds in Tears of the Kingdom play in a system without dedicated implemenation, and in some cases abstract sounds combine to create something entirely new. For example, there is no dedicated wagon sound or paddle boat sound, these sounds are created by the wheels rolling or rotating on the water, with the quality changing based on the size, shape, and material. Osada said, "It’s making sounds that I have no memory of creating! Even the director told us, 'This is basically a physics engine for sound, isn’t it?'”
Tears of the Kingdom is incredibly complicated, and the aspects the developers touched on during the GDC panel barely scratch the surface of everything going on at once in Hyrule.
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EDIT: avevo scordato di postare che il gioco di mierda "tecnicamente inaccettabile" ha vinto
Best Technology al GDC, votato da altri sviluppatori. Whoopsies